A very eventful (Poirot) autumn!

(c) ITV

As we await the UK broadcast of the final episodes (and envy those people in Poland who have already seen The Big Four!), there's lots of exciting things happening in a couple of weeks; a preview screening, a book, a UK tour and a soundtrack album! Let's have a look:

29 October 2013: Dead Man's Folly Preview + Q&A
BFI Southbank, 6:20 p.m. Tickets £11. On sale from 8 October.

Yes, you read that correctly. The British Film Institute in London is hosting a preview screening of Dead Man's Folly, in association with BAFTA. I quote from their website:

'Introduced by Mathew Prichard, Agatha Christie’s grandson and Chairman of Agatha Christie Ltd. Interview and audience Q&A with David Suchet, who discusses the role and his departure with his biographer Geoffrey Wansell. It has always been David Suchet’s ambition to bring Agatha Christie’s canon of works to completion. Join us for this significant moment in UK broadcasting history.'

[This leads me to believe that the UK broadcast date for this episode will follow shortly after the preview, since this tends to be the case with BFI previews. Also, script editor Thom Hutchinson has reported on Twitter that Dead Man's Folly will be the second episode to air in the UK]

7 November 2013: Poirot and Me by David Suchet is released
Available for pre-order on Amazon.co.uk

I've mention this before. It's (almost) as interesting as the new episodes; David Suchet's story of how he developed the character (plus loads of photos etc.). Should be a great Christmas present for any Poirot fan.

7 November - 10 December 2013: David Suchet Poirot and Me Tour

Next on the list is a promotional tour to coincide with the release of the book. He will visit Theatre Royal Nottingham (7 November), Chepstow Drill Hall (10 November), Chorleywood Memorial Hall (11 November), London/Dulwich (12 November), and finally, Harrogate (10 December). More information here.

11 November 2013: Poirot - Music from the TV Series is released
Available for pre-order on Amazon.co.uk

Yes, we have a new soundtrack! They're spoiling us this year, with the re-release of Gunning's score earlier this year and now this release, with music by Stephen McKeon (Series Ten and Eleven) and Christian Henson (Series Twelve and Thirteen).


Now, the final track, 'Adieu Poirot' seems to suggest some sort of version of Gunning's theme. Having searched the Internet for more information, I think this might be 'Adieu Poirot' by Amy Dickson, which is basically a re-recording of Gunning's 'The Belgian Detective'. You can listen to it on Spotify or buy her album on Amazon. But we can't be sure until we've heard the album, I suppose.

November/December: Dead Man's Folly, The Big Four, Labours of Hercules?

Judging by all of the above, as well as other rumours, I think it's safe to say that the UK will get the next episodes from November onwards. As mentioned, Dead Man's Folly will be the second episode, which means the most likely broadcast order is Dead Man's Folly, The Big Four, Labours of Hercules and finally Curtain. But it would be nice to have a press release from ITV.

UPDATE: We now have a press release. And The Big Four will be the second episode to air. This means the most likely broadcast order will be The Big Four, Dead Man's Folly, Labours of Hercules and Curtain. Also, according to play.com, the Collection 9 (Series 13) DVD has an estimated release date; November 18th 2013! If that's correct, we'll get to see the final series a lot sooner than we expected. Thanks to Paul who alerted me to this.

Christopher Gunning with new 'Poirot' CD!

(C) Christopher Gunning / Discovery Music Ltd.

Great news for any fans of the series' soundtrack! Christopher Gunning is releasing a new album with some of his scores for the series. I've written about the music of the series before (see this blog post), and as you may know, a substantial amount of Gunning's Poirot music was released on CD over 20 years ago. However, this CD had gone out of production and become a rare collector's item. With this new release, some of the best scores from that album are re-issued - in addition to three never-previously-released tracks from the adaptations of Death on the Nile and Five Little Pigs. I, for one, am delighted.

Read more on Gunning's website, watch a trailer for the album on YouTube or pre-order from Amazon.

Here's the track listing:

The Belgian Detective 2.30
A Country Retreat 4.53
The ABC Murders 4.34
Grey Cells 4.21
To the Lakes! 2.18
The Double Clue 5.09
War 2.29
The Innocence of Caroline Crale 5.30
Amyas’s Last Painting 4.22
How Does Your Garden Grow? 9.05
The Death of Mrs Inglethorpe 2.27
The Height of Fashion 2.08
One-two, buckle-my-shoe 1.58
The Victory Ball 4.55
Death on the Nile 13:45

The Music of Agatha Christie's Poirot

Agatha Christie's Poirot has remained synonymous with a very distinctive theme tune, composed by Christopher Gunning, and the opening titles designed by Pat Gavin. Moreover, music is a vital element of the series in most people's eyes. I will briefly try to outline the three composers who have worked on the series over the years: Christopher Gunning (1989-2004), Stephen McKeon (2005-2008) and Christian Henson (2009-2013). Their names are linked to their respective web sites.

[EDIT FEBRUARY 2013: This post has been significantly expanded and altered due to the news of Christopher Gunning's release of a new Poirot soundtrack album - see separate post]

Christopher Gunning's music is available on a CD released in 1992. This recording has been almost impossible to get hold of over the years (and it still is!). But it does appear from time to time on places like YouTube. See below for the track list:

Hercule Poirot - The Belgian Detective (2:30)
One-two, Buckle-my-shoe (2:00)
The Double Clue (5:05)
The A-B-C- Murders (4:35)
Grey Cells (4:21)
War (2:30)
A Country Retreat (4:52)
Death of Mrs. Inglethorpe (2:29)
The Height of Fashion (2:08)
How Does Your Garden Grow (9:05)
Death in the Clouds (3:55)
To the Lakes (2:19)
The Victory Ball (4:55)
The Plymouth Express (9:29)

Two of these are available on YouTube at the moment: The Plymouth Express and The Belgian Detective. As of 2013, a new album has been released, featuring all the above tracks (apart from 'The Plymouth Express' and 'Death in the Clouds'), in addition to three previously unreleased tracks. See separate post.

The series changed tone quite drastically with Stephen McKeon. Some of his tracks are available on his web site. Below are some comments from a blog I'll most probably come back to in a later post.

"In only his second Poirot film, composer Stephen McKeon notably melds Shostakovich’s Jazz Suite No. 2 with notable Philip Glass-like highlights to create a most enchanting score that adds immeasurably to the proceedings." (Douglas Payne, sound insights blog, on the score for Cards on the Table (2006))

"Stephen McKeon’s score, a surprisingly successful mix of Philip Glass and John Williams, is remarkably effective in achieving these ends, though the curious use of the melodica, a keyboard instrument, now suggests the music of the Harry Potter films a bit more than is appropriate." (Douglas Payne, sound insights blog, on the score for Mrs. McGinty's Dead (2007))

Personally, having listened to his scores both on his website and in the films, I prefer the ones that are somewhat more sentimental in flavour, like the end music to The Mystery of the Blue Train, to the somewhat dark and moody ones that seem to scream MURDER in capital letters. However, in light of the stories he scored, I think the music works well within the context of the films.

I must admit, however, that Christian Henson is much more to my liking. He was asked to do the most recent series (2009-2010) and returned for the final series, too (2013). It seems a conscious decision - whether by him or the production team - to link his scores more closely to Christopher Gunning's, especially in the sense that several elements of the theme tune are retained throughout the scores of his episodes. Not that McKeon didn't include it, but Henson seems to be doing it more frequently. Personally, I find the music for Murder on the Orient Express some of the absolute best of the entire series.

In a blog post, Henson describes the process of scoring the episodes. Interesting if you like soundtracks/composing. He mentions his 'brief' from the producers, who instructed him to "offer hints of the period setting, coupled with the characterful nature of Hercule, and the cinematic ambitions of ITV’s flagship drama brand". Moreover, he explains that he thought the clarinet to be "very much the instrument I hoped to use to characterise Hercule". I find this rather amusing, because actor David Suchet has been playing the clarinet in his leisure time for several years!

Four of Henson's tracks are available on YouTube (at the time of writing):

1. Love Theme (from 'The Clocks')
2. Overture (from 'Three Act Tragedy')
3. Secret Garden (from 'Halloween Party')
4. Redemption (from 'Murder on the Orient Express')

Finally, there are some composers of additional material for the series, including Fiachra Trench (who I believe stepped in for much of Series Two because Gunning was unavailable at the time.

EDIT: this seems to be confirmed on Gunning's website in 2013, where his contributions for the series are detailed as series 1 & series 3-9), Neil Richardson (who composed additional music heard/seen on screen, e.g. 'I've Forgotten You' from 'Yellow Iris') and Samuel Karl Bohn (who composed additional music for Series Twelve, most notably the 'new' Poirot theme in Hallowe'en Party).

UPDATE FEBRUARY 2013:
Since Christopher Gunning has just announced the release of a new 'Poirot' album (see this blog post), I thought I might add a few more words on this post. Recently, I discovered that he has commented on the Amazon page of the previous album, responding to criticism that he has not included all the different variants of the theme:

"Every Poirot film for which I composed the music had its own sub-theme. Therefore it was natural to include these on the CD. Each track should remind you of a particular story".

"You could not POSSIBLY have a whole album of the Poirot tune itself - it would be a crushing bore. However, if you listen carefully, you will discover references to the theme (overt or less so) in almost every track".

Responding to criticism that so much of the later scores had been left out on the original release, he explains:

"The CD was made relatively early on in the series. The music was thus nearly all taken from series 1 - thus, I hadn't composed "Murder on the Links," "The Incredible Theft," or "The Underdog" yet, or several other films which I'd like to include in any future CD. There would be an incredible array of stuff to draw on!"

On the subject of recording and releasing another CD (this was written before the recent news):

"I would love to record another Poirot CD, and, who knows, it may happen. The problem is that soundtrack albums seldom sell more than 1000 copies or so, and are extremely expensive to produce. It's difficult to persuade record companies to stump up the cash for something that may not cover the initial outlay, for obvious reasons."

With the new release this month, it seems this issue has been solved. Personally, I would have liked some of the scores he did for the later films to be included as well, like the ones he mentions in the comment above. However, I am more than delighted to see the old album re-released with some undoubtedly great additional tracks.

On a different note, he explains the absence of a full version of the theme in his final scores (the 2003-2004 series):

"I was instructed by the production team 1) not to quote from the Poirot theme at all, and 2) not to use the alto saxophone. You will notice that in all productions since then any references to the theme are extremely obtuse and few and far between. I think it was silly on the part of the producers."

I'm not too sure if this is actually entirely true. Obviously, the theme is missing from the episodes, but it is definitely in the end credits of Five Little Pigs, so it cannot have been forbidden to use it. As to the alto saxophone, much as I love it, I'm not sure if it is entirely neccessary to create the 'Poirot' mood. The variations on the theme in the later series, particularly in the shape of the clarinet in Henson's Three Act Tragedy overture, proves that it can easily be created in different ways too.

More generally, I am divided on the issue of Gunning's theme and its presence in later episodes. I certainly miss the theme tune, and I love Gunning's scores, but I do symphatize with the view that a full theme at the beginning of each episode would create the mood of a TV series (yes, I know it is a TV series, but the producers seemed keen to portray the adaptations as 'television films', a stand that I respect). Moreover, the mood of most of the recent episodes has been so dark that the theme would seem somewhat out of place.

On the other hand, what Gunning did with the theme in his final series proved that it would not seem too much out of place if adjusted to the mood of each episode. Although I am not an expert on music, I found the way he made the theme blend with Erik Satie's Gnossienne at the end of Five Little Pigs absolutely magnificent. By using the theme in ways that only hint at it, you keep the essence of both the character and the series, while adhering to the producers' need to portray the episodes as 'films'. In other words, although I find the decision to abandon the theme altogether (if that decision was ever made) ridiculous, I think its semi-inclusion in later episodes works quite well, in light of the producers' preferences. Also, in defence of the producers, they seem to have reversed the decision quite early on, as hints of the theme tune have been present in adaptations in series 10, 11 and 12.

In any case, I very much hope that the theme tune features prominently in some way in the final episode, Curtain. Anything else would be a crime. It would probably have to be darkened quite significantly, but it should work. Also, please, please, please, use it in The Big Four as the 'big four' of Poirot, Hastings, Japp and Lemon are reunited. That would be a wish come true (and such a wonderful way of acknowledging the series' past!)

UPDATE MAY 2013:
Judging by the press pack for Elephants Can Remember, the first episode of the final series, Christian Henson is back for the final five episodes! As I've said before, Henson is the best they could have hoped for (after Gunning, of course!). I'm sure he'll come up with some very fitting music for the final adaptations.