Tuesday, 29 July 2014
Clive Exton (1930-2007) was the principal screenwriter for most of the original Poirot series. He also oversaw a number of scripts as a script consultant. For an overview of his career, see this obituary in The Telegraph. Other notable works, much in the same vein as Poirot, include Jeeves and Wooster (1990-1993), the P. G. Wodehouse stories, with Stephen Fry and Hugh Laurie), and Rosemary and Thyme (2003-2006), a television series about two female gardening detectives. Exton wrote all 23 episodes of Jeeves and Wooster at the same time as he was doing Poirot. They are similar, in some ways. Poirot is set in the 1930s, Jeeves and Wooster in the 1920s. Both sets of adaptations have a lot of humour in them, and they both centre on dynamic duos. You could even argue that Rosemary & Thyme follows the same pattern. In any case, that is certainly a very Christie-esque series. However, I should point out that Exton's work as a screenwriter was much broader than just gentle Sunday night television; the obituary in The Guardian focuses on 'his highly individual mixture of black comedy and oblique social criticism'.
Writing about Poirot and Jeeves and Wooster, The Telegraph states in the obituary that 'both adaptations reflected his love of precision in language and his understanding of how people express themselves, as well as his ability to spin out and knit together plot lines from often scanty material'.That is certainly true of his Poirot adaptations, on more than one occasion.
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Monday, 28 July 2014
Some people tend to see Poirot as one- or two-dimensional, but those who do are almost always the ones who have never read the books. If you do read them, you realise at once that there are certainly three dimensions to his character. And every time I played him, I tried to bring those extra elements of Poirot's character to the surface, reflecting the different dimensions revealed in Dame Agatha's own stories about him.' (David Suchet, Poirot and Me p. 86, 2013)
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It is a truth universally acknowledged (to borrow a famous first sentence) that David Suchet spent years perfecting his performance as Hercule Poirot. He read all the stories and compiled a character dossier, a copy of which was included in his memoir Poirot and Me (2013). He has repeatedly stated that he aimed to stay true to the character as Christie wrote him. For me, Suchet fully managed to inhabit that character, and I find it impossible to pick up a Poirot story and not envisage his Poirot and hear his voice.
Under the headline "The Complete Poirot", I will examine, in the coming weeks and months, the development of our all-time favourite main character in Christie's stories, and discuss passages or characteristics that are (a) included in Suchet's dossier, or (b) present in the television adaptations themselves. The books will be discussed in chronological order (based on this Wikipedia list), rather than in publication order (although they largely overlap).
Let's begin with Poirot's very first case, The Mysterious Affair at Styles, published in 1920. Page references are from the HarperCollins collection The Complete Battles of Hastings, Volume I, published in 2003.
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- I'm a passionate fan of Poirot, Agatha Christie and the ITV series. If you have any questions, comments, suggestions or requests, please e-mail me at firstname.lastname@example.org, post a comment on one of my blogs, or get in touch on Twitter @pchronology. (I used to call myself HickoryDickory)